Friday, 25 September 2015

camera angles

Rule of thirds
View point
Leading lines 



-Rule of thirds states than an photograph is most pleasing when its subjects or regions are composed along imaginary lines which divide the image into thirds — both vertically and horizontally.







-Before photographing your subject, take time to think about where you will shoot it from. Our viewpoint has a massive impact on the composition of our photo, and as a result it can greatly affect the message that the shot conveys. Rather than just shooting from eye level, consider photographing from high above, down at ground level, from the side, from the back, from a long way away, from very close up, and so on





-When we look at a photo our eye is naturally drawn along lines. By thinking about how you place lines in your composition, you can affect the way we view the image, pulling us into the picture, towards the subject, or on a journey "through" the scene. There are many different types of line - straight, diagonal, curvy, zigzag, radial etc - and each can be used to enhance our photo's composition.




Background 
 -How many times have you taken what you thought would be a great shot, only to find that the final image lacks impact because the subject blends into a busy background?

The human eye is excellent at distinguishing between different elements in a scene, whereas a camera has a tendency to flatten the foreground and background, and this can often ruin an otherwise great photo.
Thankfully this problem is usually easy to overcome at the time of shooting - look around for a plain and unobtrusive background and compose your shot so that it doesn't distract or detract from the subject.


Depth
Depth- Because photography is a two-dimensional medium, we have to choose our composition carefully to conveys the sense of depth that was present in the actual scene. You can create depth in a photo by including objects in the foreground, middle ground and background.
 Another useful composition technique is overlapping, where you deliberately partially obscure one object with another.
 The human eye naturally recognises these layers and mentally separates them out, creating an image with more depth.







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